Digital Culture Research
We are now in the second year in the three-year ‘Digital Culture’ research programme, which is tracking technological innovation in the arts and culture sectors in England.
Over 6,000 museums, galleries, presenters, producers, venues, festivals, arts centres and other cultural organisations across England have now received an invitation to complete this year’s survey. If you’re working in an arts or cultural institution, you may already have received your unique link by email from Caroline Rushton at MTM London. If you have not yet received a link, you can register your interest by clicking the link below.
The first year (2013) report found organisations are actively using in digital to market and distribute arts and cultural experiences, and in many cases, to create and programme work. But despite the range of activity occurring – important opportunities clearly remain. For example, the survey found that just 11% of arts and cultural organisations were experiencing major impacts on their overall profitability.
Twelve months on, the picture may well be very different. The potential for big data and open data has been explored in blogs and forums across the country, and exciting concepts like wearable technology and the internet of things are gathering pace. There are exciting and worthwhile conversations underway about risk-taking, collaboration and R&D in the arts. The funding landscape has also changed, with the recent re-launch of The Space, and the recent NPO announcement. And today, the Digital R&D Fund announces another 12 new R&D projects, bringing the total to 48 collaborations between the arts, technology and research sectors.
What does this all mean? Are we seeing impacts in terms of how we work, the art we make, and the experiences we create for audiences? Or is technology draining valuable resources from other priorities? Seeing how the use of digital in the sector is evolving is vitally important for all of us. It helps arts professionals working in organisations make informed decisions about technology. It also ensures funders develop great support mechanisms, and bring energy to worthwhile initiatives.
If you’re working within an arts or cultural organisation in England, be part of year two by telling us how digital is used within your organisation. MTM has been commissioned to carry out the research and we are seeking responses from senior managers with some responsibility for the use of digital technology. Last year, almost 900 organisations responded, ensuring that the findings can be relied on.
We know that different arts and cultural organisations use digital technology in myriad different ways, and we very much want to hear the opinions of as many organisations as possible. Having a broad, representative sample is critical for the quality of decision-making in our sector, so if you can then please make time to complete the study this year.
More about the 2013 study
Results are now available from the first year survey of 891 arts and cultural organisations, including digital activities, barriers, enablers and impacts.
It shows that arts and cultural organisations have transformed their marketing and operations through digital technology, with many reaching bigger and more diverse audiences than ever before. They are also seeing major benefits for creation and distribution, whilst in other areas like new revenue generation, important opportunities remain.
One research participant, Tate Modern, noted that ‘Digital activity is forcing us to rethink out creative practice. For over a hundred years our activity has been grounded in displays in buildings. The affordances of digital means we are rethinking this.’ Tate Modern developed new interactive digital projects ‘Bloomberg Connects‘ to allow gallery visitors to connect in new ways with art, artists and other visitors and make their ideas visible around the gallery.
Sheffield Doc/Fest say that ‘as expectations of digital and interactive experiences for audiences grow, so too do demands on arts organisations to be more innovative in audience engagement.’ They worked with with EE, the University of Sheffield and Blast Theory on Digital Art2, a project to explore the interactive artistic potential of high-speed networks with support from the Digital R&D Fund for the Arts.
Many arts and cultural organisations have introduced new digital activities for the first time in the last year, allowing the research to identify several major growth areas. Whilst live streaming is performed by only 15% of organisations, it is the fastest growing digital activity. More than half of those engaging in it say they started doing so within the past 12 months.
‘For the first time we have a detailed account of how theatres, performance spaces, galleries and museums in England are innovating with new technologies.’
Hasan Bakhshi, Director for Creative Economy, Policy and Research, at Nesta, said: ‘Digital technologies are disrupting how we work, learn and socialise, but there remains little evidence on how they are affecting the arts and culture sector. For the first time we have a detailed account of how theatres, performance spaces, galleries and museums in England are innovating with new technologies. This evidence challenges preconceived notions about how the public engage with culture and illustrates the potentially vast dividends still to be reaped.’
Over the next two years, the research will map the changing picture of technology in the arts, so we can learn from the experience of those who use technology most effectively, and maximise the potential for the arts and culture.
Download the research summary and full research report to learn more about the use and impact of technology, major digital growth areas and the ‘cultural digirati’ in 2013.
Share your thoughts
We would like to hear your thoughts on this research. Please share your questions, comments and ideas by leaving a comment below.